![]() He says he prefers seeing an artist with a unique style in which he truly is good at. But it’s not necessary in Valerio’s opinion. How about showing off that you are proficient in drawing multiple art styles? If you are really great at it, then go for it. ![]() Of course, authenticity is greatly appreciated, so you need to include mostly designs for original characters that you created. That is why she prefers portfolios that show some experience or at least understanding in storyboards and comics. Becky, on the other hand, says that it’s fundamental to know about storytelling. It’s also vital to know about perspective, because as a character design artist, you need to be able to draw in a wide range of angles while giving a sense of depth in your work. In his opinion, this is an indication that the artist knows about anatomic proportions, thereforth is easily able to adapt to different art styles while maintaining the correct proportions. That’s why he is so keen on observing if an artist is capable of drawing eyes, hands and feets. Valerio says that one of the most important things is to know about anatomy. THINGS YOU NEED TO TAKE INTO ACCOUNT FOR YOUR PORTFOLIO Also she is the one responsible for creating the designs for the major characters in each episode. This in turn helps to decrease the times a design needs to be corrected, speeding up the process of working on each one of them. This can be like the way eyes should be drawn, the proportions that must be considered, general mistakes to avoid and so on. One of her tasks is also making a guide of rules and important elements that every artist on her team must follow while creating a character design. She is in charge of supervising her team of artists specializing in character design, as well as reporting back to the art director. After all, it’s his job to make sure that there aren’t any errors and that the final art is top notch.Īs for Becky, being a character supervisor, she is also deeply involved in this process. Not only he supervises the design process for the characters, but also the way color is applied on them and finally, the way they are animated. After taking note of any new designs that need to be done, he assigns them to each artist taking in consideration their strengths and weaknesses, as well as what they tend to like drawing more.īeing the art director, Valerio is responsible for making sure that each character design stays true to the show creator’s vision. ![]() When a team of artists gets a new storyboard, Valerio explains that they first analyze it to find if there are any new characters or elements that need to be designed for the episode. THE PROCESS BEHIND CREATING A CHARACTER DESIGN This way you can come up with new and exciting versions of a character design. In this case, you need to follow the references provided by the artist that made the original design, but you are also free to take your own approach and give it some of your personal style. This can be either because it needs a new costume, accessories or to show some battle damage in their attire. Sometimes you also need to modify a character design that’s already established. If this isn’t hard enough, you also need to be able to draw the crowds as seen from different angles. This can be difficult while working in a unique character design and even more so where there are multiple ones in a crowd. Of course, you need to avoid making tangent lines. You need to know not only which characters are going to be in the crowd, but also how many of them will be and how to draw them together but in a way that each one is easily distinguishable. And although it is something not done frequently, Becky admits that one of the most difficult tasks in character design is to draw scenes where there are crowds involved.
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